Mark Titchner /UK/
Born 1973 in Luton, Bedfordshire, UK
Lives and works in London, UK
education
1995 Central Martins College of Art and Design, London
selected solo exhibitions
| 2005 | Mark Titchner, Peres Projects, Los Angeles, US |
| 2005 | Mark Titchner, Vacio 9, Madrid, ES |
| 2004 | 20th Century Man, Vilma Gold, London, GB |
| 2004 | Mark Titchner, Carlos Amorales & The Sun City Girls, De Appel, Amsterdam, NL |
| 2004 | I, WE, IT, (public art commission), Platform for Art, London, GB |
| 2003 | Be Angry But Don't Stop Breathing, Art Now, Tate Gallery Britain, London, GB |
| 2003 | Do Not Attempt To Reform Man. We Are What We Are, Galerie Jorg Hasenbach, Antwerp, BE |
| 2003 | We Were Thinking Of Evolving, Vilma Gold, London, GB |
| 2001 | Love, Work & Knowledge, Vilma Gold, London, GB |
| 1998 | Mark Titchner, One in the Other, London, GB |
selected group exhibitions
| 2005 | British Art Show, Arnolfini, Bristol, GB |
| 2005 | Group Show, Dublin City Gallery The Hugh Lane, Dublin, IE |
| 2004 | showCASe, South London Gallery, London, GB |
| 2004 | Vilma Gold at Galerie Diana Stigter, Galerie Diana Stitger, Amsterdam, NL |
| 2004 | If you think you see with just your eyes you are mad, Peres Projects, Los Angeles, US |
| 2004 | Expander, Royal Academy of Arts, London, GB |
| 2004 | Wilkommen, Metropole Galleries, Plymouth, GB |
| 2004 | Rear View Mirror, Kettle's Yard, Cambridge, GB |
| 2004 | Britannia Works, British Council, Athens, GR |
| 2004 | Nocturnal Emissions, Groninger Museum, Groninger, NL |
| 2004 | Asphalt and Neon, Museo Tamayo, Mexico City, MX |
| 2004 | Happy Go Lucky, (public art commission), Stichting V/H de Gemeente, Leeuwarden, NL |
| 2004 | Nit Niu, commissioned by Vacio 9, Palma de Mallorca, ES |
| 2004 | A Secret History of Clay, Tate Gallery Liverpool, Liverpool, GB |
| 2004 | Now is Good, Northern Gallery for Contemporary Art, Sunderland, GB |
| 2004 | Tonight, Studio Voltaire, London, GB |
| 2004 | Candyland Zoo, Kent Institute of Art & Design, Canterbury, GB |
| 2003 | Matchine Machine, One in the Other, London, GB |
| 2003 | Electric Earth, State Russian Museum, St Petersburg, RU |
| 2003 | Strange Messengers, The Breeder, Athens, GR |
| 2003 | PONR, Pallas Heights, Dublin, IE |
| 2003 | Talking Pieces, Museum Morsbroich, Leverkusen, DE |
| 2003 | Dirty Pictures, The Approach, London, GB |
| 2002 | The Movement Began With A Scandal, Lenbachhaus Museum, Munich, DE |
| 2002 | The Galleries Show, Royal Academy of Arts, London, GB |
| 2002 | The Dirt of Love, The Mission, London, GB |
| 2002 | Strike, Wolverhampton City Art Gallery, Wolverhampton, GB |
| 2002 | Exchange, Richard Salmon, London, GB |
| 2002 | Loco for Rococo, The Nunnery, London, GB |
| 2002 | Mathematique, Danielle Arnaud, London, GB |
| 2001 | Sages, Mystics & Madmen, One in the Other, London, GB |
| 2001 | Brown, The Approach, London, GB |
| 2001 | Playing Amongst the Ruins, Royal College of Art, London, GB |
| 2001 | City Racing (A Partial History), Institute of Contemporary Arts, London, GB |
| 2001 | Curatorial Mutiny Pt 4 , Nylon, London, GB |
| 2001 | Best Eagle, (with Michele Naismith & Duncan McQuarrie), Transmission, Glasgow, GB |
| 2001 | Fear it, do it anyway, Vilma Gold Project Space, London, GB |
| 2000 | Mark Titchner & Lena Seraphin, Sali Gia, London, GB |
| 2000 | Very Nice Film Club, Vilma Gold, London, GB |
| 2000 | Multiples, Temple Bar Gallery, Dublin, IE |
| 2000 | Heart & Soul, Sandroni Rey, Los Angeles, US |
| 2000 | The Poster Show, Cabinet Gallery, London, GB |
| 2000 | Insanity Benefit, Vilma Gold Gallery, London, GB |
| 2000 | Point of View, Richard Salmon, London, GB |
| 2000 | Mark Titchner & David Musgrave, Grey Matter, Sydney, AU |
| 2000 | 297 x 210, The Art House, Dublin, IE |
| 1999 | Limit Less, Galerie Krinziger, Vienna, AT |
| 1999 | 297 x 210, Arthur R Rose, London, GB |
| 1999 | .....Nice to Meet You, Kunstbunker, Nürnberg, DE |
| 1999 | New Build, Platform, London, GB |
| 1999 | Cave, Sali Gia, London, GB |
| 1999 | 297 x 210, Firestation, Dublin, IE |
| 1999 | The Poster Show, Gavin Brown Enterprises, New York, US |
| 1999 | Heart & Soul, 60 Long Lane, London, GB |
| 1999 | Painting Lab, Entwistle Gallery, London, GB |
| 1998 | Social Security, Ex Teresa, Mexico City, MX; Royal College of Art, London, GB |
| 1998 | True Science, KX, Hamburg, DE |
| 1998 | Surfacing, Institute of Contemporary Art, London, GB |
| 1998 | Kling Klang, HMS Plymouth in association with Tate Gallery Liverpool, Liverpool, GB |
| 1998 | Show me the money 3, 8 Dukes Mews, London, GB |
| 1998 | The Bible of Networking, Sali Gia, London, GB |
| 1998 | Sociable Realism, Stephen Friedman Gallery, London, GB |
| 1997 | Show 47, City Racing, London, GB |
| 1997 | Peripheral Visionary, De Fabriek, Eindhoven, NL |
| 1997 | High Precision/Low Maintenance, 172 Deptford High Street & Hales Gallery, London, GB |
| 1997 | Recent Acquisitions, BUND, London, GB |
| 1997 | TransMat, One in the Other, London, GB |
| 1997 | Physionomical Corpus, One in the Other, London, GB |
| 1996 | LIFE/LIVE, Museum of Modern Art, Paris, FR |
| 1996 | BANK TV/Viper, DOG (BANK), London, GB |
| 1996 | Is this Happening, 112a Denmark Hill, London, GB |
awards
Turner Prize Award 2006 nominee
selected literature
| 2004 | Britannia Works (exhibition catalogue), British Council, GB |
| 2004 | Rear View Mirror (exhibition catalogue), Kettle's Yard, Cambridge, GB |
| 2004 | Asphalt and Neon (exhibition catalogue), British Council, GB |
| 2004 | Expander (exhibition catalogue), Royal Academy of Art, London, GB |
| 2004 | Nocturnal Emissions (exhibition catalogue), Groninger, NL |
| 2004 | Tate Art Now Yearbook, Tate Press |
| 2004 | The Secret History of Clay (exhibition catalogue), Tate Press Why and Why Not (bookworks) KIAD Yearbook , KIAD Press |
| 2004 | Frieze Art Fair Yearbook 2004, Frieze Publications |
| 2004 | Electric Earth, Film and Video from Britain (exhibition catalogue), British Council, GB |
| 2004 | Talking Pieces (exhibition catalogue), Museum Morsbroich, Leverkusen, DE |
| 2004 | Frieze Art Fair Yearbook 2003, Frieze Publications |
| 2002 | City Racing 1999-1998, Black Dog Publishing |
| 2002 | Platforms, Jubilee Arts |
| 2002 | Am Anfang der bewegung stand ein skandal, Lenbachhaus Museum, Munich, DE |
| 2000 | Playing amongst the Ruins (exhibition catalogue), Royal College of Art Press |
| 1999 | Some Stuff, ZING, Spring |
| 1998 | 297 x 210, Arthur R Rose Publications |
works in collections
South London Gallery
United Kingdom Government Art Collection
Tate Gallery London